RECENT PRESS
 "Future Self" by Hanna Bruer. Acrylic and ink on canvas.
Hanna Bruer + Quiet Control
Isthmus Madison Dec 20, 2019 Monroe Arts Center, Monroe 1315 11th St., Monroe, Wisconsin 53566 What are you trying to control? Hanna Bruer explores the concept and struggles of control in her new body of work on display at the Monroe Arts Center. Bruer’s abstract paintings will be on display from December 20, 2019, through March 20, 2020. The opening reception will take place on January 31st, 2020 from 5-7pm with an artist talk at 6pm. The gallery is located at 1315 11th St, Monroe WI 53566. “Every individual is trying to keep in command of something that we know nothing about, and it’s a silent, personal battle for each of us. Whether it’s trying to control ourselves, our environment, or our actions, we’re all working at it. No one is really alone when they feel like things are out of their control. This body of work is exploring those obstacles and feelings,” says Bruer. Her expressionist works combine illegible script with grunge textures to create lively, visceral atmospheres. From stark, contrasting black and whites to gentle, muted colors, the works are both bold and tender. For the first time, Bruer will display text that correlates with each piece. While the text for each work is often masked and obscured, some of the inspiration will be printed for the viewer to read at this show. Find her work at www.hannabruer.com. |
 Photo by Amy Stocklein
HANNA BRUER'S
GRUNGE ART BY CATHERINE CAPELLARO NOVEMBER 7, 2019 It’s the “magic hour” when the sun is setting and Hanna Bruer swipes the first layers of paint on a canvas in the lobby of HotelRed. Enormous glass windows look right onto Camp Randall, which glows in the waning sun. Perhaps inspired by the pink-orange tone of the stadium’s stone facade, she adds a layer of pink to a canvas propped up on an easel near the front door. It’s Gallery Night, the twice-yearly event when museums, galleries and businesses throw open their doors for roving crowds of art lovers. HotelRed’s hip red and gray interior has high ceilings and cement floors, and when Bruer starts to paint, it’s nearly deserted. But Bruer is relaxed and taking her time. She plans to take the whole evening, from 5 p.m. to 9 p.m., to create her painting. Finished canvases are set up in a semicircle around her and drop cloths lie on the floor around her easel. Her finished acrylic-ink paintings are abstract, and layered with dynamic swipes and drips of color and elegant, illegible cursive writing. They radiate life. “I use my paintings kind of as a journal that no one gets to read except for me,” says Bruer, standing with one foot on the foot of the easel, one tattooed arm reaching up to grasp the top of the painting. “I can write legibly; I just choose not to.” For the last five years, Bruer has been taking what is typically a private pursuit, into public spaces for “live painting” events. Mostly, she has painted at music clubs while bands play. She discovered this mode of working after seeing an ad for a live painter for a show at the Majestic. “I was like, ‘What is that? That doesn’t even sound decent,’” remembers Bruer. “That’s something that you do in the privacy of your own home. It’s a very personal thing. But I put my name in, and said I would do it.” She did it five times that summer. “And now I’ve done it 8 million times...well, not quite,” says Bruer. “It’s a way to be interactive and entertained while you’re doing the thing that’s very vulnerable, because it’s your art.” Bruer is deliberate, stepping back and assessing the work-in-progress before smearing most of it away and stopping to chat with visitors and her husband, Jake Swenson, who sits nearby. Live painting has transformed her relationship to her art, says Bruer. “I’ve gotten more comfortable with it. I used to be very private,” she says. “I have an art degree but I would not sell them, not show them. But I decided to just throw myself out there, and started doing live painting, which was very uncharacteristic for me. It just kind of changed how I feel about it. I’m very comfortable. It’s a little nerve-wracking still, but it is very freeing.” In college at UW-Stevens Point, Bruer studied photography and “hated” painting. But seven years after she graduated, a landlord in Middleton offered her some paints left behind by a previous tenant. “And so I just had all these paints sitting in my apartment, and one night I just went for it and I kind of fell in love.” By 7:30, the painting has more color, and some inked words. But Bruer is dissatisfied, dabbing and wiping parts that don’t feel right. “I hate it, so I paint over it,” she says, adding that she’s “in it for the long haul.” She’s enjoying the process, too. Minus one irritant: the bland R&B piped in over the hotel’s sound system. “I’m definitely a ’90s grunge person,” says Bruer. “So this is not my jam. This is piercing me right to the brain. “What I tend to do is to listen to a whole song, over and over, through the whole painting. I’m definitely a big Nirvana fan. I’ve always loved my dark gritty rock. I’m a big Marilyn Manson fan as well….It helps me get out all my frustrations, and it’s really visceral. I love it.” Records Bruer usually listens to while painting: Failure: Fantastic Planet; Cold: Self Titled; Placebo: Without You I’m Nothing; Marilyn Manson: Antichrist Superstar; Nirvana: Bleach; Zao: Self Titled. Average times she listens to the same song while creating a painting: 50 Times she has painted live at the Majestic Theatre: 8 Times she has painted live at the Malt House: 9 Pairs of “painty pants” she owns: 6 Colors her hands are after Hotel Red work: 5 Paintbrushes she uses in her paintings: 0 Rolls of blue shop towels purchased this year: 14 Price of the painting created at Hotel Red: $800 Next live painting event: Nov. 18, High Noon Saloon: FlowPoetry’s Compression book release and rock and roll show. |